Posted on Oct. 16, 2004

“Hi Jim, I’ve had the pleasure of owning one of your HT322s for about a year now and I can proudly say that I own the most amazing bass cabinet on the planet. It’s continually used in many different situations, live, studio, rehersal, in the closet, etc. and it works brilliantly in each one. Thanks so much for recommending a pre-amp/high wattage power amp set up for your incredible cabinet. I just love the sound of the Demeter HPB-1 feeding my beastly 1500 watt Crown K1. When I win the lotto I plan on purchasing one of your NV-215s. Best wishes and once again GO SOX!!!!” David Dilworth

Posted on Sept. 15, 2004

“Dear Jim: Thank you ever so much for making the HT322. This is by far the best sounding bass cabinet on the market today, period. No questions asked. I own a Trace Elliot L1110 amp, Eden “Metro” and an Ampeg Portabass cab and none of these can hold a candle to the pure and natural sound coming from a HT322. No fancy gizmos or built in equalizers, this is a very powerful, trouble free, pure sounding speaker cab. If you are seeking the best than the HT322 is the cab for you. My Trace Elliot is a original first production amp made in Britain, this is a very good amp but not as powerful or clear sounding as the HT322. Period. God Bless you Jim. You are the greatest! ” Sincerely, Tony Casaceli

Posted on Sept. 15, 2004

“Mr.Bergantino, I just purchased a used 322 at Bass Emporium in Austin, and I could not be happier with it. Depth, punch and tone in one cab? Fantastic. I have a Goliath III and a Son of Bertha and I love them, but they have just been retired except for the loudest outdoor gigs. Thank you for building great stuff at a great price!!” Prince Ricker-Midland, Texas

Posted on Sept. 15, 2004

“I’ve used this cab with an Ampeg SVT 4 Pro for practicing for several months. I finally had a chance to gig with some friends. The Drummer plays very loud. This one cab can keep up with a loud unamplified drum set and sounds awesome. With the deep switch on, I actually have to low down the Bass and set it between 9 and 10 o’clock with my American Jazz Bass. With my American Precision, I let the bass be flat or up to 1 o’clock. The volume was set at 2 o’clock, so there was plenty of power left that I didn’t have to use yet. I don’t use the EQ at all. My pals are very pleased with the sound of my gear. Nice clean and BIG vintage sound with the Ampeg amp, with this nice distortion when pushed. Very round bottom and very punchy. It’s my first expensive cab and I’m very pleased. It makes my playing experience very enjoyable. I hope you guys will keep up the production, because I plan to buy another one as soon as my budget allows me. ”

Posted on Sept. 4, 2004

“I just picked up two 1-12 boxes, one with the horn… My God! The sound is huge! Carries my Bongo 5’s deep, clear and punchy, and also the Chapman Stick’s sonic pallet is stunning. Driving them with a Stewart World 1.6, Alembic FX1. A truly light weight rig, with heavy weight knock out punch!!” Thanks, Randy Clere, Seattle, WA

Posted on Sept. 4, 2004

“Let me begin with a hearty THANK YOU! These are by far the best sounding bass cabs I’ve ever played through! I’ve owned SWR, Bag End, Trace Elliot, and Eden over the years and as far as price, portability, and most importantly sound quality, these cabinets beat the competition hands down. The EX112 and HT112 compliment each other nicely. Coupled with my Ampeg SVT-3 PRO this little rig is powerfull enough for any gig! With the added benefit of being able to fit the entire system in the extra cab of my truck! I am a freelance recording engineer as well as a bass player, any interest in building studio monitors? Thanks Again.” Alex Otto, Phoenix AZ